Breach
    
reviewed by Mischa
Hayek

Photo © Universal Pictures
|
On February 18, 2001, the FBI arrested one of its own,
longtime agent Robert Phillip Hanssen, and charged him with treason. Hanssen had long
worked in counterintelligence, but since 1979 had been a spy, first for the USSR and then
for Russia, receiving more than $1.4 million in cash and diamonds from his Russian
handlers. Hanssen had been responsible for leaking the US contingency plan in case of a
Russian nuclear attack, had passed on American methods to intercept Soviet transmissions,
and had provided the names of KGB officers working for the US -- to name just a few of his
acts. He was directly responsible for at least several deaths, and has been widely
acknowledged by the national security agencies as having caused more harm than any other
spy in US history.
Breach -- written by Adam Mazer, William Rotko, and
director Billy Ray -- depicts Hanssens final days as an FBI man. Eric ONeill
(Ryan Phillippe) is a young FBI surveillance expert assigned to record conversations of
suspected and would-be terrorists. ONeill longs to become an intelligence agent, and
has published a long report on managing surveillance data, but spends much of his time
cloistered in a parked van with his cynical colleagues, eavesdropping on targets.
Suddenly, he is reassigned by a senior FBI official, Kate Burroughs (Laura Linney), to act
as assistant to a newly appointed data-security expert, Robert Hanssen (Chris Cooper).
Burroughs tells ONeill that Hanssen is a sexual deviant and pornographer whose
activities are bringing disgrace on the FBI. ONeill is to watch Hanssen for evidence
of his misdeeds.
But after several weeks, ONeill can find no evidence
of Hanssens involvement in pornography, and even begins to respect him. In
frustration, he confronts Burroughs, and she lets him in on the real reason Hanssen is
being investigated: Hanssen is a Russian spy who has betrayed the US in the worst way. The
FBI is closing in, and ONeills job is to keep Hanssen distracted and unaware
of their activities. But ONeills failing relationship with his wife, Juliana
(Caroline Dhavernas), threatens to blow his cover.
Breach focuses on the investigations final
phase -- the two months leading up to Hanssens arrest -- as seen through
ONeills eyes. I suspect that the larger investigation of Hanssen and how he
was found out is far more interesting than the immediate period before his arrest, but Breach
reveals surprisingly little about Hanssen himself. His penchant for exotic dancers and
voyeurism are alluded to, but little screen time is spent exploring his secret life. Nor
is a strong motive for his treason ever provided.
The script also does a poor job of developing
ONeills character. His behaviors are inconsistent with someone who has been
granted his wish and promoted -- when finally brought into the fold to become a bona-fide
member of the investigative team, ONeill displays none of the zeal I would have
expected for having been assigned such important and career-making work. Furthermore, the
self-doubt that ONeill reveals to his new boss, Kate Burroughs, does not ring true.
After less than two months in his new role, he is plagued with doubts more appropriate to
a cynical, seasoned veteran.
Each of ONeills several arguments with his wife
could have been easily avoided with a simple, two-sentence conversation, without
jeopardizing the investigation. Instead, ONeill either yells at Juliana or walks
away, ignoring her -- essentially, he acts like an idiot. I suspect these melodramatic
moments were left in by Ray to spice up an otherwise bland story. Im not suggesting
that the facts of the Hanssen case or the actions of any of the characters be altered. But
if ONeill quarrels with his wife or has doubts about a career in intelligence, then
provide the dialogue or information that supports his actions. I ask only that
ONeill be made more credible.
Breach is not a bad film. But with such great
material from which to draw, its a shame the result is so mediocre, and that so
little of the intrigue, excitement, and drama of one of the biggest busts in espionage
history has made it to the screen. |