The Departed
    
reviewed by Rad
Bennett

Photo © Warner Bros. Pictures
|
This riveting, gritty film finds Martin Scorsese back in
top form, dealing with the mean streets he seems to know and love so well. This time,
however, the director tells a story set in Boston rather than his native New York City.
Woody Allens recent Match Point, filmed in London, was his most successful
movie in a long time. Perhaps Scorsese and Allen offer evidence that New Yorkers need to
get out of town occasionally to be rejuvenated.
The Departed is based on the Hong Kong crime flick
Mou gaan dou (2002), aka Infernal Affairs. You could scarcely call it a remake
-- its more like a reinvention. The setting has been changed, the characters fleshed
out, and the cinematography and editing are prime Scorsese. It doesnt hurt that the
director has a dream cast to work with.
Two boys have grown up on the streets of Boston. When they
become young men, Billy Costigan (Leonardo DiCaprio) and Colin Sullivan (Matt Damon) both
become cops -- but very different cops. Sullivan has been befriended throughout his life
by crime kingpin Frank Costello (Jack Nicholson), who has groomed him as a mole for his
syndicate. Good cop Costigan is another sort of mole -- hes under deep cover as a
member of Costellos syndicate. As they spy on each others organizations, both
know that something is wrong -- there are leaks -- but not the truth about each other. To
further complicate things, Costello himself is rumored to be giving evidence to the FBI.
This complex premise creates tangible suspense as the normal cat-and-mouse situation is
reversed, and reversed again to circle around itself.
Every character in The Departed is in inner conflict
about doing the right thing or taking care of his blood connections. Costigan feels the
most pain, and very quickly wants out of the subterfuge so that he can be himself.
DiCaprio plays this role with such intensity and inside-out understanding that he will
probably be nominated for an Oscar -- its the best work hes done. Matt
Damons winning, boyish smile makes him ideal to play Sullivan: a guy who is
all-American cop on the outside, all mob spy on the inside.
Then theres Jack Nicholson. How wonderful to see this
great actor in a role so suited to him. He plays Costello as the devil incarnate, a man
who will charm you one minute, cut off your fingers the next. His edgy performance goes
close to but never over the top. Costello knows no rules but his own: "I dont
want to be a product of my environment. I want my environment to be a product of me."
With these actors, and a supporting cast who usually play
lead -- Mark Wahlberg, Martin Sheen, Alec Baldwin, Ray Winstone -- Scorsese fashions
scenes of excruciating tension and excitement, with plenty of narrow escapes and thrills
along the way. I sat on the edge of my seat, wondering which spy would be discovered
first. And Scorsese knows better than most how to dish out bloody violence and
retribution.
The Departed was effectively shot by Michael
Ballhaus, and composer Howard Shore provides a biting score peppered with well-chosen
rocknroll favorites and even a little opera. Every element in this movie
contributes to its overall excellence. If it means he can make the tried and true as fresh
as it is in this film, Martin Scorsese should visit other cities more often. |