Monster
    
reviewed by Doug
Schneider

Photo © Newmarket Films
|
Monster is the biggest
little film of the 2003-2004 movie season. Screened in only a few cities at the end of
2003, the low-budget film is now enjoying a larger theatrical run that began in January
2004, largely due to critical praise and the anticipation that it will win at least one
Academy Award come February 29. But does it deserve all the hype?
Monster tells the story of Aileen Carol Wuornos
(Charlize Theron), a highway-type prostitute who killed seven men in Florida in the 1980s
and was executed there in 2002. The film begins by briefly reflecting on Wuornoss
childhood, more or less to give some insight into her drift toward prostitution, but
mostly centers around her short-lived affair with a woman, Selby (Christina Ricci), that
took place during the period in which she killed the seven men. Wuornos was supposedly not
a lesbian when she met Selby, but was down on her luck and contemplating suicide. Their
chance meeting led to a relationship that seemed not so much about love as about
desperately needing someone. No explanation is given of why Selby would be interested in
Wuornos. Aileen, an outcast and loner for most of her life, seems smitten for no other
reason than that Selby seems to care for her.
The Chicago Sun-Times Roger Ebert said that he
watched all of Monster and never had a clue who the actress was who was playing
Wuornos. Had I not had the luxury of knowing beforehand that it was Charlize Theron in the
lead role, I can only guess that I wouldnt have been able to figure it out either.
With the addition of a wonderful makeup job and a generous
amount of weight to her near-perfect form, Theron is completely unrecognizable. Her
performance, though, is a transformation that is more than merely physical. Theron so
inhabits the role of Wuornos that it didnt seem as if I was watching a film about
her; I felt as if I was watching her. About a third of the way through Monster,
I had all but forgotten it was Theron onscreen; I was lost in her performance, and the
story kept me gripped until the end. Monster may not be the very best film of 2003,
but it is a very good one. Therons performance, however, is the best Ive seen
in many years. |