Mulholland Drive
    
reviewed by Doug
Schneider Leave it to David Lynch to once again deliver the unexpected. Lynch is known
for bizarre movie treats such as Blue Velvet, Wild at Heart, and Lost
Highway, as well as the groundbreaking TV program Twin Peaks. His films always
seem to deliver the unexpected, usually something outrageous or, at the very least,
exceedingly strange. But at least once, he didnt even do that. His last movie was
called The Straight Story. Without a hint of his Lynchian style, he told the
story of Alvin Straight with straight-as-an-arrow storytelling and direction. Fans of his
work sat through it waiting for something odd to happen. It didnt, and, as a result,
Lynch surprised us once again by giving us something we didnt expect to see. With Mulholland
Drive, perhaps his best work yet, he delves back into the surreal and delivers a
showcase that in ways embodies most of his lifes work.
Mulholland Drive begins with a drive down that very
street that results in a severe car accident. A woman crawls from the wreckage and makes
her way to a residential neighborhood. After a series of events, she befriends a woman
named Betty. Betty has come to Hollywood from Canada with dreams of becoming a movie star.
The woman from the accident cant remember her name or where she lives. She
"lifts" Rita Hayworths first name from a movie poster and for the time
being uses that. Her and Betty then set out to find her identity.
Like some other Lynch films, the storytelling can leave you somewhat dumbfounded. What
Ive told you is just the beginning of this story (if you can call it that). What
happens after is a lot of plot twists and turns -- some small, others huge. As for the
huge ones, once they happen youll begin to wonder if what you saw before is real or
imagined. You will also wonder if the film makes any sense. I dont think well
ever know, but I also dont believe thats the point.
I suspect that digging too deep and trying to interpret the story will be for nothing.
In Lost Highway Lynch did an about-face midway through the film and actually
changed the lead character. One moment hes a middle-aged man in a jail cell, the
next moment hes a young teenager. Why? Many people tried to come up with plausible
explanations, but Lynchs own is the most telling. In an interview later he said he
had no real reason for it, he just did it. Interpret what you want; chances are Lynch
simply pulled one over on you. Or perhaps he is pulling one over on us again in the
interview? Whatever the case, I think that reading too much between the lines here will
leave one frustrated for no good reason.
Mulholland Drive is more an experience than a story. Like Lynchs best
work, it has great scenes of visual and aural splendor that captivate an audience. And
despite the fact that it sometimes turns in nonsensical ways, for whatever reason,
its just too darn compelling to turn away from. This is one of this years best
films and it gets a ****1/2 rating. |