(Archives: '00 | '01 | '02 | '03 | '04 | '05 | '06 | '07)

The ten best movies of: '00 | '01 | '02 | '03 | '04 | '05 | '06| '07 | '08
The three worst movies of: '00 | '01 | '02 | '03
| '04 | '05 | '06 | '07 | '08

(Ratings from 1=low to 5=high)

AvatarNEW
****
I believe that Avatar has more special-effects shots than any film I’ve ever seen, but Cameron uses his bag of tricks old and new to create a world where everything seems natural.... (more)
The Princess and the FrogNEW
***½
This is Disney’s first traditionally animated feature since 2004’s Home on the Range, and it’s a refreshing look back on the world of hand-drawn animation and princess heroines. It doesn’t quite measure up to Disney’s earlier Snow White and the Seven Dwarfs, Cinderella, or Sleeping Beauty, but it’s still an enjoyable way to spend an hour and a half at the theater.... (more)
BrothersNEW
****
I wanted to like this movie a lot more than I did. It has a lot going for it, including endless insider references to other films, an affectionate nod to the decade I grew up in, and a cool plot premise. But lack of characterization, especially in the casting of voices, made this animated feature nothing more than a wannabe great... (more)
Planet 51NEW
**½
I wanted to like this movie a lot more than I did. It has a lot going for it, including endless insider references to other films, an affectionate nod to the decade I grew up in, and a cool plot premise. But lack of characterization, especially in the casting of voices, made this animated feature nothing more than a wannabe great... (more)
The Men Who Stare at GoatsNEW
***½
Many of us seem to be fascinated with the lunatic fringe that we imagine controls the military. Films like Dr. Strangelove, Catch 22, and M*A*S*H made us laugh at potentially tragic events and view military leaders as the jokesters behind the gags. Now along comes The Men Who Stare at Goats, which piques our interest from the start with its claim... (more)
This Is ItNEW
****
What do you do when a tremendously expensive tour is scuttled by the death of its star within days of its first show? In the case of Michael Jackson’s comeback tour, clever editing of 120 hours of rehearsal footage, shot for Jackson’s personal use, along with interviews with cast and ... (more)
Where the Wild Things AreNEW
**½
Where the Wild Things Are, Maurice Sendak’s children’s book written in 1963, has entertained two generations and is starting out on a third. Though it consists mostly of illustrations -- the story contains only ten sentences -- it has already been made into a short film and an opera, and now director Spike Jonze has taken on the.... (more)
SurrogatesNEW
**½
In a future that looks much like today, people stay at home while robotic surrogates they’ve purchased go out into the world to work. Humans can lie on comfortable sofas wearing headsets that let them experience and control the actions of their surrogates.... (more)
The Informant!
****
This tightly knit film shows us a Matt Damon who’s about as far away from Bourne as you could imagine -- he has a moustache and lots of hair, he’s 30 pounds heavier, and he’s as crazy as a loon. Damon plays the real-life Mark Whitacre, the vice president of Archer Daniels Midland in the 1990s who procured evidence to indict his company on charges of global price fixing.... (more)
9
***½
Many of the better films of the past few years have been animated. But unfortunately, most people still see them as nothing more than cartoons. When I saw 9 yesterday afternoon, there were several families with small children in the audience, and no one seemed to notice the PG-13 rating... (more)
Inglorious Basterds
****
No living film director trumpets his sheer love of movies more loudly than does Quentin Tarantino. Whether or not you like his latest work, you have to admit that it’s one of the most cinematic movies to come along this year. It drips with homage in a spirit of tribute so genuine as to be irresistible.... (more)
District 9
***
Once in a while a good independent film gets picked up and tucked under the arm of a name producer or other Hollywood mogul and gets noticed. This one got its day in the sun because it was produced by Peter Jackson.... (more)
Julie & Julia
****
This delightful movie tells two different stories occurring in two different places in time. Amy Adams plays Julie Powell, a present-day New York woman who, upon turning 30, realizes her life has gone nowhere. A lover of food, she decides to... (more)
Orphan
***
If you go to this movie expecting a schlocky thrill ride with a demon child on board, you’ll be happy. But if you expect some brilliant new twist on the well worn horror genre or something a little deeper, you’ll be disappointed. Ratings for this movie have been all over the map, but I’m placing it in... (more)
Harry Potter and the Half-Blood Prince
****
The Harry Potter series has a track record of excellence. None of the movies have been bad, and their average rating has been 3 or 3.5, good or very good. But Harry Potter and the Half-Blood Prince goes beyond them to become the best of the series so far (two more films, based on the final book, have yet to be released). What strengthens this movie is... (more)
Ice Age: Dawn of the Dinosaurs
**½
With each new release, Pixar continues to establish itself as a leader in animation. DreamWorks, though prone to resurrecting tired franchises, has accepted the challenge and done some very good work with titles like Kung Fu Panda. But Fox’s Blue Sky Studios seems content to be last in the... (more)
The Taking of Pelham 1 2 3
**
Remakes are tricky and usually unsuccessful. If the director is too faithful to the original and produces a carbon copy, he can expect a "Why bother?" reaction from filmgoers. And if he strays too far, he risks tainting the original for those who remember it. Hollywood usually waits long enough before remaking a classic that the new... (more)
Up
***½
Judged by standards applied to animated features from DreamWorks and Fox, Up should probably receive a higher rating. But compared with the rest of Pixar’s illustrious catalog, which culminated in last year’s luminous, transcendent WALL-E, it’s very good at best.... (more)
Drag Me to Hell
****
For Drag Me to Hell, director Sam Raimi returns to his schlocky Evil Dead roots. Like a master chef, he puts together tried-and-true elements with wicked glee, serving up a ghoulish stew that’s the tastiest horror dish of the year, and perhaps of the decade.... (more)
Star Trek
****½
With Star Trek, director J.J. Abrams has achieved a seeming impossibility. He’s validated the concept of the original TV series (1966-1969) while making one of the most thrilling action-adventure pictures of the decade, one that successfully tells the backstories of ... (more)
X-Men Origins: Wolverine
**
Hugh Jackman is a talented man. He can sing, dance, and act, all the time keeping his handsome good looks to the fore. I thought he was splendid as Curly in the stage version of Rodgers and Hammerstein’s Oklahoma!, and the evidence is there for all to see and hear on an.... (more)
Fast & Furious
***½
Vin Diesel is an interesting guy. First off, he’s proved, in such movies as Saving Private Ryan, Boiler Room, and Find Me Guilty, that he can act with wide range and sensitivity. And with his (usually) shaven head, muscleman body, and gravelly voice, he’s also a screen presence. Diesel has... (more)
Monsters vs. Aliens
**
After seeing the trailers for this computer-animated film, I attended a screening with eager anticipation. But what a letdown -- I’d already seen all the best scenes in the trailers.... (more)
One Week
***
"What would you do if you had one week to live?"

Those words appeared in the previews for One Week, and they intrigued me. However, I was afraid the film’s protagonist would be afflicted with some rare fictitious disease that would enable him to party like a frat boy for a week before quickly succumbing... (more)

Knowing
***½
Knowing, directed by Alex Proyas, stars Nicolas Cage as John Koestler, a depressed, hard-drinking professor of astrophysics at MIT. Early on, we see Koestler giving a lecture to his class, asking them if they feel that events are random or predetermined. The students’ opinions are varied, but at the end of the lecture Koestler... (more)
The Last House on the Left
***

The Last House on the Left, in which horrific events are filmed in such a way as to seem nearly pornographic, is not the sort of movie I usually see. But on a Wednesday afternoon at the mall in Martinsburg, West Virginia, it was the only thing playing with any promise. I bought a ticket, fully expecting to walk out before the movie ended.... (more)
Watchmen
**½
I haven’t read the series of graphic novels on which Watchmen is based, but I assume that the filmmakers wanted to make something that could be watched by anyone. Perhaps director Zack Snyder, who was so successful with 300, in trying to remain faithful to the graphic novels, has crammed too much into too little time, perhaps in hopes of inspiring viewers to seek out the originals. Well, I have no such ... (more)
Slumdog Millionaire
****½
A wonderful film, and my pick for Best Movie of 2008, Slumdog Millionaire, codirected by Danny Boyle and Loveleen Tandan, tells the remarkable story of three children orphaned during India’s Muslim-Hindu riots of the 1990s, who grow up on their own in the Mumbai slum of Dharavi. The story is told through the eyes of ... (more)
The International
***½
Audiences tend to love movies that portray some vast bureaucratic entity as conniving and evil. Perhaps it’s a way to foist off personal responsibility as a mass-marketed fault. In The International, the bad guys are Luxembourg bankers who deal in lots more than cash -- specifically, in sales of illegal arms. Their bank is evil and very powerful, and those who get too close to... (more)
Quantum of Solace
**½
Director Marc Forster’s Quantum of Solace continues the adventures of James Bond, beginning where Martin Campbell’s superb Casino Royale left off. Daniel Craig, who first appeared as Bond in that 2006 film, again appears as the flawed but ultratough secret agent. Bond has just captured master criminal... (more)
W.
**
After watching W., I left the theater in a daze, wondering why it had been made. It’s not funny enough to be satire, nor deep enough to be drama, not informative enough to be a documentary. It feels empty, a vehicle bumping along trying to get its bearings, and directed by someone without opinions. It’s hard to believe... (more)
Lakeview Terrace
**
I’d seen the trailer for Lakeview Terrace four times before the film hit the multiplexes, so I was pretty clear what would happen. A young mixed-race couple (Patrick Wilson and Kerry Washington) move into an exclusive Los Angeles suburb, where their neighbor is a commuting L.A. police officer (Samuel L. Jackson) who... (more)
Burn After Reading
***
Reflecting on this movie, I thought of Mozart. An acknowledged genius who wrote such masterpieces as Don Giovanni, piano concertos, and symphonies, he was not above filling time by writing serenades and divertimenti. Though not profound masterpieces, these lighter pieces, also written in forms at which the composer was... (more)
Tropic Thunder
***½
This very funny film is the perfect summer flick. You can laugh yourself silly, discuss it with your friends at the water cooler, and wait eagerly for the DVD release, which will probably coincide with the Christmas holidays. It has some side-splitting sight and word gags, but it’s anything but mindless; instead, it’s often viciously satirical, even poignant.... (more)
The Dark Knight
****
This is the second Batman film from director Christopher Nolan, who has carried over his major players from the first installment, Batman Begins. Christian Bale again stars as Batman, playing him as originally written for the comics: as a vigilante haunted by the past.... (more)
WALL-E
****
½Having created some of the top animated movies of all time, including Finding Nemo, Toy Story, Monsters, Inc., and Ratatouille, what could Pixar do for an encore? Simple (for Pixar): Make another one....(more)
Wanted
**
½The Chinese and Japanese film industries have often given their martial-arts heroes superhuman abilities. Remember the old Japanese movies in which ninjas could toss shuriken (throwing stars) with machine-gun-like speed, and leap up to a corner of the  ...(more)
Kung Fu Panda
***
½Pandas are among Nature’s most loved animals. Any time something happens to or with one of the pandas at the National Zoo, every TV station in Washington, DC carries the news. Hollywood’s first beloved panda was popular in the 1940s: Andy Panda, a creation of ...(more)
Sex and the City
***
½After a long wait, Sex and the City is back, this time as a big, glossy feature film perpetuating the lives and loves of the four female characters brought to life in the original HBO series, which ended in 2004. Written and directed by Michael Patrick King, the movie continues ...(more)
Indiana Jones and the Kingdom of the Crystal Skull
***
Nineteen years after Indiana Jones and the Last Crusade, the franchise returns. Though this fourth installment is not a total embarrassment, it’s evident that the well of ideas from which George Lucas and Steven Spielberg first crafted Indiana Jones is running dry....(more)
The Chronicles of Narnia: Prince Caspian
**
½In our world, a year has past since the four Pevensie children discovered Narnia, the magical world they first visited onscreen in The Lion, the Witch and the Wardrobe (2005). They re-enter Narnia via a subway station, only to find that there, 1300 years have elapsed, during which the kingdom has been invaded by the ...(more)
Made of Honor
**
½These days, it seems the most romantic thing a person can do is to leave one’s betrothed on the day of the wedding -- or, better still, at the altar itself -- and sprint off with one’s true love, to live forever in the glow of undying love. You’ve seen it in many films ...(more)
Iron Man
***
½Transformers, Robocop, and this film all have robotic, metal-suited lead characters. But Iron Man is different. Thanks to a literate script and superb acting from Robert Downey, Jr., the tin can at the heart of this film has soul. And because he does, we care what happens to him....(more)
Shine a Light
****
About 12 years ago, I took a two-hour bus trip to see the Rolling Stones play Montreal’s Olympic Stadium. I have no idea how many people were in the audience, but the whole thing was a larger-than-life, awe-inspiring spectacle that’s burned into my memory as  ...(more)
Forgetting Sarah Marshall
***
Many romantic comedies tell a story of two lovers who, as Hollywood formula demands, should be together but can’t seem to hook up. None, to my recollection, specifically depicts the difficulty of forgetting ...(more)
The Bank Job
***
In 1971, a Lloyd’s bank in London was robbed. The story hit the headlines one day, and quickly died the next. In a blend of fact and fiction, The Bank Job offers an explanation ...(more)
U2 3D
***
Having been completely won over to three-dimensional digital projection by last year’s Beowulf 3D, I bought a ticket for U2 3D expecting a similarly all-encompassing experience. But while thoroughly entertaining, this concert film is not the same sort of 3D experience. If you haven’t seen Beowulf 3D, you’ll be pretty ...(more)
Rambo
***
½The previews had finished, and my buddy Doug and I were hunkered down in our seats waiting for Rambo to begin. We had perfect seats: a space between us, no one in front, and the three rows behind us completely empty. Then five guys sat down right behind us. Dismayed, Doug leaned over toward me. "F**k!" he ...(more)
There Will Be Blood
****

There Will Be Blood is a compelling study of a man obsessed by greed, competition, and the unnamed demons of his past. It’s an early chapter in the story of the dominion of oil over the American economy. It’s a profile of a Christian evangelist as tainted as the oilman ...(more)
Untraceable
***

A psychopath catches the public’s attention by torturing a cat on live streaming video. When he moves on to people, it becomes evident that there is method in his madness: His placard, "Kill with Me," always appears onscreen first, and it’s to be taken literally -- the more ...(more)
Cloverfield
***

After seeing Godzilla toys while visiting Japan with his son, J.J. Abrams, the CEO of Bad Robot Productions (Lost), conceived of a new monster with which he could terrorize the inhabitants of Manhattan. He pitched the idea to Paramount Studios, the project was green-lighted, and Abrams teamed up with a ...(more)
The Orphanage
***
½
If you want easy answers and a linear plot, The Orphanage might not be for you. But if you enjoyed the ambiguity and enveloping style of The Haunting, The Innocents, and, most recently, The Others, this film will satisfy your yearning for an intelligent ghost story. It also has a lot of  ...(more)
Juno
****

This single little low-budget movie might just balance out all the well-funded bad ones and give the coming-of-age and teenage-romance genres a good name. It opens as something of a screwball comedy, as 16-year-old Juno  ...(more)
Before the Devil Knows You're Dead
****

Not all great films are about pleasant subjects or leave one with a "feel good" experience when leaving the theater. Sadly, great films are often seen only once by a moviegoer and do not always do well at the box office. I’ve seen the ...(more)

 


 

All contents copyright © Schneider Publishing Inc., all rights reserved.
Any reproduction, without permission, is prohibited.

Home Theater & Sound is part of the SoundStage! Network.
A world of websites and publications for audio, video, music and movie enthusiasts.