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Video Noise

December 2009

I Want to Make My Picture Better: Part Two

Last month’s installment explained your first two options for improving picture accuracy: adjusting the user menu controls by eye and adjusting menu controls with the assistance of a setup disc in your Blu-ray or DVD player. This month we’ll explore the third and fourth calibration options, each of which is more advanced and will allow you to more closely match your video display to the standards that define an accurate picture.

Teaching yourself how to calibrate

This option can be tricky. Many think they can spend less than $200 on a colorimeter and use free software to get a decent calibration, but it’s just not going to happen. Inexpensive meters are poor at measuring color, though they’re sometimes OK for measuring shades of gray. They become very slow, however, when the screen gets darker, so measuring the darker grayscale steps can take a long time. If you want to calibrate your image with a trustworthy meter and reliable software, expect to spend about $675 for CalMAN Home Edition with a Chroma 5 colorimeter. Without the right tools, you’ll likely end up seeing errors (in test patterns) even when your cheap meter claims the image is accurate.

People also underestimate how much time and practice it takes to learn calibration. Many in the "I can calibrate for $200" crowd think that a few hours of study and practice will be enough, but to get it right, they end up investing closer to 100 hours. And by then, they discover that they can’t trust the readings from their $200 colorimeter, so they sell it (at a loss) and buy a Chroma 5 or the more expensive i1-Pro.

I’m not saying you can’t teach yourself how to calibrate, but you simply can’t do it without a substantial investment of both time and money. Too many people underestimate the cost and effort required, and they end up either quitting before properly calibrating their display or paying for professional calibration anyway.

You should also be aware that inexpensive colorimeters drift over time, as the filters change and the meters become less accurate. And because some inexpensive meters can’t be recalibrated, the meter you buy today could be worthless in three years. Even if you buy a meter that can be recalibrated, the cost of recalibration can be considerable compared to the cost of the meter itself. Learning to do your own calibrating can be an interesting experience, but don’t expect to save money.

Hiring a professional calibrator

Unfortunately, not all professional calibration is equal, and hiring a professional won’t always guarantee image accuracy. Some retail stores are dabbling in calibration, and they have a fairly dismal track record. You’ll also find a lot of variation in what they call calibration. In some cases, a guy shows up with a $20 setup disc, adjusts your menu settings (and may not even get those right), and leaves after an hour. Other times you’ll get a guy with $5000 worth of hardware and software who still doesn’t know what he’s doing. And even in those cases, the expensive equipment might not be accurate.

You’ll likely get higher-quality calibration from an independent calibrator (a professional who doesn’t work for a store). This won’t guarantee complete accuracy, but you’ll have a much greater chance of achieving the best possible result. As with any profession, some independent calibrators aren’t great, but many are fantastic in what they can do. The best independent professional calibrators will typically have $10,000 to $30,000 invested in their video-calibration hardware and software, and few calibrators who have invested that much in their tools will be clueless about how to use them.

What will professional calibration cost? You’ll pay somewhere between $250 and $500 for most video displays. And if you don’t live in a metro area, you might have to pay extra for a calibrator to visit your home. There are also a lot of calibration options. You may want a special calibration for black-and-white movies, or you might want a custom calibration for your laserdisc player. You can also have different calibrations for standard definition and high definition. If you’re lucky enough to own a high-end video processor like a Lumagen Radiance XE ($6000 MSRP), you can expect to pay more because the extra adjustments and fine control will increase calibration time.

If you want to calibrate two or more video displays in your home, most professionals will offer a discount. They may also offer a discount on follow-up visits for displays they’ve previously calibrated.

Regardless of the calibration method you choose, once you attain an accurate image you’ll see movies exactly as the director and cinematographer intended. You may need a few days to "come down" from the over-hyped images you’re used to seeing from your out-of-the-box settings. In fact, a calibrated TV would have the worst-looking display in a video wall at a typical big-box store. It would be the only accurate display, but it would look dimmer and duller next to all the hyped images. The reality, however, is that the calibrated display is right, and those other displays are distorting the heck out of the images. Give your improved display two or three days to wipe your memory of the old settings and you’ll begin to notice how much more natural everything looks.

. . . Doug Blackburn
db@hometheatersound.com

Archived Articles

  • November 2009 - I Want to Make My Picture Better: Part One
  • October 2009 - LEDs in Video Displays: More Than One Type Can Be Confusing
  • September 2009 - What Makes a Picture Good (Accurate) or Bad? Part Three: Color
  • August 2009 - What Makes a Picture Good (Accurate) or Bad? Part Two: Gamma
  • July 2009 - What Makes a Picture Good (Accurate) or Bad?
  • June 2009 - Your Home Theater's Sound: Killing Your Highs?
  • May 2009 - Getting the Most from Room-Correction Software
  • March 2009 - Crystal Ball Time Again
  • January 2009 - How to Kill a Home Theater System, Part Two: Use the Wrong AC Power Conditioner
  • December 2008 - How to Kill a Home Theater System, Part One: Don’t Use AC Power Conditioning
  • October 2008 - The Great Video Displays: My 2008 Picks
  • September 2008 - Save the Plasmas
  • July 2008 - Contrast Ratio
  • May 2008 - Gray Scale and Video Calibration
  • April 2008 - The Next Frontier for Home-Theater Video Displays
  • March 2008 - High-Definition Disc-Player Gotchas
  • January 2008 - When a Reference Isn't a Reference
  • December 2007 - What's So Different About Digital Video?
  • October 2007 - Hi-Def Movies by Mail: Great Idea, But You May Have Problems
  • September 2007 - Is Audyssey the Next Big Thing in Home Theater Audio?
  • July 2007 - Changing Film-Production Methods Improve Home Video
  • June 2007 - Getting the Most from SD DVD with Hi-Def Video Displays (Cheap HDMI Cables Too!)
  • April 2007 - What the Heck is a "Refurbished Unit," Anyway?
  • March 2007 - Format Wars: Blu-ray vs. HD DVD vs. Abstinence
  • February 2007 - Flat-Panel Displays: The State of the Art, Winter 2007
  • January 2007 - What You Don't Know about Fixed-Pixel Displays
  • December 2006 - 3-D, Now and Future
  • August 2006 - Home-Theater Bass and Subwoofers Revisited
  • June 2006 - Video Display News
  • May 2006 - A Rant on A/V Receivers and Separate Amplifiers
  • March 2006 - More High-Definition Optical Disc News
  • February 2006 - What Ever Happened to High-Definition Optical Discs?
  • January 2006 - Room Construction for Improved Acoustics and Soundproofing
  • December 2005 - Your Home-Theater Room: Considerations for High-Performance Video
  • November 2005 - Doug's Rules for Home Theater: Part Three -- More on Speakers
  • October 2005 - Doug's Rules for Home Theater: Part Two -- Speakers
  • September 2005 - Doug's Rules for Home Theater: Part One -- The Room
  • August 2005 - Progress for HDTV and DTV?
  • June 2005 - Obsolete Yet? Part Two: Video Displays
  • May 2005 - Obsolete Yet? Part One: Loudspeakers, Subwoofers, Power Conditioning
  • April 2005 - New Home-Theater Disc Formats
  • March 2005 - Getting Stereo and Surround Sound to Coexist
  • February 2005 - Goodbye DVD-Video, DVD-Audio, SACD -- Hello Hi-Def DVD
  • January 2005 - Getting the Most from a DVD-Audio Player’s 24/192 D/A Conversion
  • December 2004 - Home Theater Setup: Performance Considerations, Part Two
  • November 2004 - Home Theater Setup: Performance Considerations, Part One
  • October 2004 - Home Theater Expanded
  • September 2004 - The Dark Ages of High Definition
  • August 2004 - Optimizing Home Theater Loudspeaker Selection
  • June 2004 - HD-Capable vs. HD-Compatible Plasma Displays
  • May 2004 - Viewing Distance: Home Theater’s Forgotten Problem
  • April 2004 - Time and Distance In Your Home Theater
  • March 2004 - Assessing the Bass Performance of Surround-Sound Processors and Receivers
  • February 2004 - Does Your Next Video Display Need to Have a QAM Tuner?
  • December 2003 - LCoS and D-ILA Video Displays: Pros and Cons
  • November 2003 - LCD Video Displays: Pros and Cons
  • October 2003 - DLP Video Displays: Pros and Cons
  • September 2003 - So You Want Plasma?
  • August 2003 - Speaker Choices for Home Theater
  • July 2003 - Real-World HD-Capable Video Displays
  • June 2003 - I Got a Bad Hum
  • May 2003 - Connections and Interfaces: Part Two
  • March 2003 - Connections and Interfaces: Part One
  • February 2003 - Infrastructure and Digital/High-Definition TV
  • January 2003 - Matters of Resolution
  • December 2002 - Setting Speaker Distance
  • November 2002 - Integrating High-Quality Stereo with Home Theater
  • October 2002 - Budgeting a Home-Theater System for All-Around Performance
  • September 2002 - Basic TV Adjustment -- Part Two
  • August 2002 - Basic TV Adjustment -- Part One
  • July 2002 - Digital Video Interfaces: Where Are We Now?
  • June 2002 - Progressive-Scan DVD and High-Definition Video at Home -- The First Weeks
  • May 2002 - First-Hand Experiences with Digital and High-Definition TV
  • April 2002 - DIY Component-Video Cable
  • March 2002 - The Onkyo TX-DS989 A/V Receiver Upgrade -- Part Two
  • January 2002 - The Onkyo TX-DS989 A/V Receiver Upgrade -- Part One
  • December 2001 - Myths and Reality of Pan-and-Scan Viewing
  • November 2001 - Checkpoint Sound Alignment Systems Laser-Alignment Tools
  • October 2001 - Evaluating Progressive-Scan DVD Players -- Help is Here!
  • September 2001 - Progressive-Scan Video Explained
  • August 2001 - Interlaced Video Explained
  • June 2001 - Better Sound for Your Next Receiver/Processor
  • May 2001 - Home-Theater Systems Based on an A/V Receiver
  • April 2001 - Getting Started With Home Theater
  • March 2001 - Is One Subwoofer Enough?
  • February 2001 - Most Everything You Need to Know about Digital Cable TV
  • January 2001 - Subwoofers (and Bass) for Home Theater
  • December 2000 - DVD-Audio: Peeking Behind the Curtain
 


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