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DVD Roundup

June 2007

Docurama Film Festival III

What Deutsche Grammophon is to classical music, Docurama is to non-fiction film: its most prominent advocate and promoter. Docurama's DVD catalog includes literally hundreds of fascinating documentaries, many of which are renowned for their cinematic importance and Oscar nominations.

With such a wide-ranging and ever-growing inventory, releasing new DVDs becomes tricky. How do you ensure that each film gets its due when you release many new titles at once? Docurama has come up with a novel concept -- a film festival that promotes multiple films as part of a single entity. I wrote about the inaugural Docurama Film Festival last year; it was the highlight of my summer viewing: ten films with disparate subjects and tones but of consistent high quality -- not a dud in the bunch. With Film Festival III, Docurama has collected ten more films with diverse points of view but obvious thematic connections, making for even better watching. On the FF III website, www.docuramafilmfestival.com, "attendees" can find out much more about each film and discuss them all with others.

Docurama suggested watching Ralph Arylick's Following Sean first. It draws obvious comparisons to Michael Apted's Up Series, which shows how the lives of the films' subjects progress and change every seven years. Following Sean reveals how a child raised in the anything-goes social climate of San Francisco in the late 1960s evolves beyond his upbringing. In an interesting juxtaposition, Sean comes to embrace responsibility as he grows older, while his father holds onto the free-spirited values of his youth. Life is not a linear series of events, and Following Sean is a reminder of this.

Of Civil Wrongs and Right: The Fred Korematsu Story, Well-Founded Fear, and Naked States all explore the limits of freedom in America. The first two films cover the topics of Japanese internment during WW II and the inner workings of the American political-asylum system with depth and insight. Naked States follows photographer Spencer Tunick as he attempts to take pictures of nude people in public in all 50 states, challenging censorship and people's own fear of letting it all hang out, so to speak, in the process.

Gitmo exposes the real story of America's own gulag in the war on terror -- the prison in Guantanamo Bay, Cuba -- and there's more political intrigue with Dark Circle, a film on the breadth of America's nuclear-weapons fixation. It documents the trail of plutonium from its refinement at Rocky Flats Nuclear Weapons Facility in Colorado to its use in a California power plant and the bombs dropped on Hiroshima and Nagasaki. With Iraq's missing WMDs and Iran's burgeoning nuclear program in the news, this 1982 film is relevant today, even if the Cold War is a thing of the past.

There is lighter fare from FF III. Stagedoor gives an inside look at Stagedoor Manor, a Catskills theater camp where kids go to sing, dance and become professional entertainers. Music From the Inside Out explores the power of musical expression through the stories of the members of the Philadelphia Orchestra. Audiophiles like to say "It's about the music," but with these films it doesn't need to be said. Yellow Brick Road follows a group of mentally handicapped actors over the four months they expend mounting a stage performance of The Wizard of Oz. It's the film to watch after a frustrating day. It reminds us that enthusiasm can be infectious.

That's nine, with the tenth FF III submission being the one that has stuck with me the longest. The impetus for Jane Gillooly's Leona's Sister Gerri is a shocking photograph published in Ms. Magazine. In it, the victim of a botched abortion lays dead on the floor of a motel room. The movie is about the woman -- Gerri -- and the events leading up to her death, with her sister -- Leona -- attempting to find out how a picture representing such anguish for her family could be published for all the world to see. It's a story that seemed inevitable given the mores of the time in which it occurred. No matter what you think about abortion, you can't see the end of Gerri's life as being anything but tragic.

Among the things this group of films proves is that fact is every bit as compelling as fiction. Will there be a Film Festival IV? I sure hope so.

...Marc Mickelson
marc@hometheatersound.com

 


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