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DVD Roundup

June 2004

The Five Films of Quentin Tarantino

In 1994, Quentin Tarantino’s Pulp Fiction blazed onto the screen with an unprecedented combination of violence and pop-culture humor that critics loved, audiences flocked to, and other filmmakers for years after tried to imitate. While there were certainly bigger moneymakers at the box office in the 1990s, Pulp Fiction is likely the best-remembered film of that decade, and more or less a phenomenon that went far beyond the big screen.

But despite Pulp’s success, Tarantino didn’t receive the accolades he deserved. In my opinion, Pulp Fiction should have taken home Oscars for Best Picture and Best Director. Instead, Tarantino and Pulp had to settle for nominations in those categories, while the sugarcoated Forrest Gump was given Best Picture and its director, Robert Zemeckis, was crowned Best Director. But Tarantino didn’t leave the Academy Awards empty-handed that year. Along with former friend Roger Avary, who helped write the Pulp Fiction script, he received the Best Screenplay award.

While Pulp is Tarantino’s best-remembered film, that doesn’t mean he’s a one-hit wonder destined for a box on Hollywood Squares. Pulp Fiction is just one of five great Tarantino films, each special in its own way. Here’s a brief look at those films, along with what I liked most and least about each:

Reservoir Dogs **** (1992): Compared by many to Stanley Kubrick’s 1956 film The Killers, Tarantino’s debut film features a ragtag group of criminals known as Mr. Pink (Steve Buscemi), Mr. White (Harvey Keitel), Mr. Orange (Tim Roth), Mr. Blonde (Michael Madsen), and Mr. Brown (Tarantino). These black-suited, fast-talking shysters became some of the most memorable bad guys of the ’90s. Reservoir Dogs starts by thrusting us into their story immediately after their robbery goes wrong.

What I liked: The oddball characters, the quirky dialogue, the effective use of flashbacks, and the well-written story, which had me pegged to my seat until the end.

What I didn’t like: The infamous ear-cutting scene, which many people loved, I thought was gratuitous. Tarantino didn’t need to show us that much to prove that Mr. Blonde is a real bad guy.

About the DVD: In 1997, a relatively featureless version of Reservoir Dogs was put out on DVD. In 2003, six Reservoir Dogs: 10th Anniversary Special Edition DVDs were released. The content appears to be identical on each, but there’s a wealth of extras, including more footage of the ear-cutting scene. The difference between each is simply the cover: Five of them each feature a different "Mr." character for the cover graphic, and the sixth features four characters. Mr. Brown, played by Tarantino, is omitted on the front cover of that release but can be seen in another group shot on the back. Forget the 1997 version, even if you find it for a reasonable price on the used market. If you’re going to purchase Reservoir Dogs on DVD, definitely get one of the 2003 releases. If you’re an absolute fanatic and want to flesh out your collectibles on disc, buy all six.

Pulp Fiction ***** (1994): What more can be said about this groundbreaking film that hasn’t already been said? Not much, so I’ll stop even before I start. Besides, if you haven’t seen Pulp, where have you been?

What I liked: Everything.

What I didn’t like: Nothing. But if push comes to shove, I can say that perhaps the "Jack Rabbit Slim’s" segment went on a little too long. That, though, is being really critical.

About the DVD: Pulp Fiction was first released on DVD in 1998. As with Reservoir Dogs, that initial release was bland. In 2002, Pulp Fiction: Collector’s Edition arrived, which did far more justice to this modern masterpiece of filmmaking. Will they release it a third time on DVD with further improvements and scrape even more money from our pockets? Based on the popularity of Pulp and how well it holds up over time, I wouldn’t be surprised if that happens -- I already own the two versions, and I most certainly would own a third if it came out.

Jackie Brown ****1/2 (1997): Quieter and more character-driven than Tarantino’s first two films, Jackie Brown disappointed many people because it wasn’t as zany as Pulp Fiction or as violent as Reservoir Dogs. But did these people really expect Tarantino to do what he’d already done? Tarantino’s too talented a filmmaker for that, and I’m glad he decided to stretch himself with this clever, underappreciated crime caper.

What I liked: Tarantino’s boldness in trying something new, Pam Grier’s sex appeal as Jackie Brown, and the way Melanie (Bridget Fonda) asks Louis (Robert De Niro) to make love to her.

What I didn’t like: All the people who trashed this film simply because they wanted to see Pulp Fiction: Vol. 2.

About the DVD: Unlike Reservoir Dogs and Pulp Fiction, there’s been only one release on DVD: Jackie Brown: Collector’s Edition. Because this is probably Tarantino’s least popular film, I doubt we’ll see another release, unless one day it’s packaged in a Tarantino boxed set.

Kill Bill: Vol. 1 ****1/2 (2003): When Tarantino took a lengthy break after Jackie Brown, many thought he was washed up. Even when word came out that he was working on an ultra-violent martial-arts epic about a pregnant bride (Uma Thurman) who survives an assassination attempt on her wedding day to seek revenge, there was a rumor that it would be a flop, and that Tarantino would become a Hollywood has-been. In hindsight, when I heard that story line, perhaps I, too, thought that was possible. No one, including his biggest fans, expected a comeback like this one. I also suspect that no one but Tarantino could have made this film so successfully. Kill Bill: Vol. 1 pays homage to the martial-arts films of the 1970s, and is considered by some to be Tarantino’s best work yet.

What I liked: Tarantino stretching himself in the action-film genre, Uma Thurman as The Bride, and the cliffhanger ending that leaves us on the edge of our seats in anticipation of Kill Bill: Vol. 2.

What I didn’t like: Nothing whatsoever -- well, maybe just the DVD release (see below). Kill Bill: Vol. 1 was my favorite film of 2003.

About the DVD: Following in the tradition of Reservoir Dogs and Pulp Fiction, a bare-bones DVD was put to market just a week before Kill Bill: Vol. 2 was released in theaters. The DVD’s video and sound quality are great, but the packaging is basic, the extras minimal. You just know that a more expensive version will be released sometime in the future, probably as part of a package with Kill Bill: Vol. 2.

Kill Bill: Vol. 2 ****1/2 (2004): People who were expecting to see the same thing as Vol. 1 may walk away disappointed, but Tarantino’s proven before that he doesn’t like to do the same thing twice. Vol. 2 follows The Bride on her final quest to kill Bill, but Tarantino tones down the violence in favor of the story to give a more epic feel to this modern-day martial-arts classic.

What I liked: The Bride’s fight with Elle Driver (Daryl Hannah), the coffin scene, the shift in tone and style from Vol. 1, and the spectacular use of sound effects.

What I didn’t like: David Carradine’s blasé Bill.

About the DVD: It’s not here yet, but unlike with Vol. 1, we likely won’t see a featureless Vol. 2 DVD. Instead, I suspect we’ll see a complete Kill Bill two-movie package with a wealth of extras -- and a whopper price tag that will make us wish there was a trade-in program for the original Vol. 1 release.

...Doug Schneider
das@hometheatersound.com

 


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