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Collector's Corner

February 2006

It Happened One Night

  • Starring: Clark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns, Alan Hale
  • Directed by: Frank Capra
  • Theatrical release: 1934
  • DVD release: 1999
  • Video: 4:3, black and white
  • Sound: Dolby Digital 2.0 mono
  • Released by: Sony Pictures

Right around February 14, everyone becomes romantic and starts looking for a great love story to watch with a sweetheart. You might pick a weeper, or a film whose characters overcome the odds to have a happy ending.

Personally, I have a soft spot for screwball romantic comedies.

Over the years, we’ve seen hundreds of cute movies in which one of the characters is kind of wacky and the other is an everyman/woman. Garden State is my favorite recent film in a line that includes There’s Something About Mary and When Harry Met Sally . . . , all the way back to His Girl Friday, The Philadelphia Story, and The Thin Man. But every subgenre as old as this one has a wildly popular prototype, and in this case, it’s It Happened One Night (1934).

The story is simple. Ellie Andrews (Claudette Colbert) is a rich girl who’s just eloped with aviator King Westley (Jameson Thomas) against the wishes of her father (Walter Connolly). The father gets her back and takes her to his yacht, but she escapes by jumping overboard and heads back to Westley. Meanwhile, all these goings-on have become the top news story in an America battered by the Great Depression.

Elsewhere, Peter Warne (Clark Gable) has just lost his job as a reporter for being irascible, drinking on the job, and writing his latest story in free verse.

Ellie and Peter end up on the same bus headed for New York. He’s streetwise, poor, and out of work. She’s rich, snappish, and unused to having to accommodate herself to such low-class digs. She needs help learning the ropes of buses and trailer camps; he sees her as his ticket back to work.

Of course, we all know where this story is going.

What’s amazing is how it got there in the first place. Director Frank Capra had been making films since 1922, but hadn’t had much luck getting a big hit. Then, in 1933, he struck paydirt with Lady for a Day, the story of Apple Annie. This gave him the clout he needed to move forward on this film adaptation of a story originally published in Cosmopolitan.

Film historians now believe that Capra had hoped to cast Robert Montgomery and Myrna Loy as the leads in It Happened One Night -- interesting choices, but nowhere near the box-office dynamite of Gable and Colbert. Capra was making the film for Columbia, but Colbert was signed to Paramount, and Gable was under contract to MGM. In his highly recommended autobiography, Bring on the Empty Horses, David Niven, Gable’s best friend at the time, describes things as having been slightly different: "Gable had been lent by MGM to the despised Harry Cohn and his struggling company, Columbia, as a punishment for intransigence in turning down too many mediocre scripts. Claudette Colbert was being similarly chastised for the same reason by her studio -- Paramount -- but between them they had outsmarted their bosses and persuaded the brilliant director Frank Capra to direct the picture for which Cohn had borrowed them."

Whatever the truth, it’s safe to say that neither Gable nor Colbert was thrilled about the project. Colbert demanded (and got) double her normal salary: $50,000 for four weeks’ work. Gable was reported to have walked onto the set and announced, "Let’s get this over with."

Hollywood is full of stories in which an accident becomes one of cinema’s most famous scenes, and It Happened One Night has one of the best. The celebrated scene in Dyke’s Auto Camp with "The Walls of Jericho" (chapters 10-11) came about for two reasons. First, because Colbert refused to undress in front of the camera, Capra came up with the idea of putting up a blanket. After tensions had eased a bit (including a bit of cute Colbert cheesecake in the pre-Production Code era -- note the quiet moments after Gable sings "Who’s afraid of the big bad wolf") -- they had to figure out how to have Gable do his routine on how a man undresses. In a joke that runs throughout the film, Gable tries to instruct Colbert in the simple life -- dunking donuts, hitchhiking, building a haystack hideaway. In this scene he tries to teach her how a man removes his clothes. The only problem was, he couldn’t get through all the stripping before the dialogue ran out. Solution: Get rid of his undershirt, something every man wore in those days. The result shows the power Gable -- and Hollywood -- wielded in 1930s America: US sales of undershirts dropped 30% in the following year.

The making of the film was rushed, but it looks beautiful. Capra ensured that Colbert is gorgeous in every shot, but notice especially how he framed her in night scenes: in chapter 11, when the lights go out and those lovely cheeks and huge eyes shine through the darkness; and in chapter 17, when she fluffs the hay, the fence and background light her silhouette like a dreamscaped Rembrandt. With the exception of her nudeish milk-bath scene as Empress Poppaea in The Sign of the Cross (1932), this was as sexy as Colbert would ever look.

If some of the other characters seem familiar, there’s good reason. Most obvious is Danker, played by Alan Hale looking exactly as would his son, Alan Hale Jr., who became famous as the Skipper on Gilligan’s Island. And would you believe that Bugs Bunny was at least partially hatched from It Happened One Night? Director-producer Friz Freleng -- who, along with Tex Avery and Chuck Jones, was responsible for the glorious mayhem at the Warner Bros. cartoon department -- said in his memoirs that Bugs’s carrot chomping was based on Gable’s in chapter 18. He also said that King Westley (Jameson Thomas) was an inspiration for Pepe LePew, and that Ellie’s father (Walter Connelly) inspired Yosemite Sam.

There was good reason for the cartoons to imitate It Happened One Night, as have so many films since: it works. It worked so well that this little film, which neither Gable nor Colbert wanted to make, ended up being the first to win all five major Oscars: Best Picture, Best Actor (Gable), Best Actress (Colbert), Best Director, and Best Adaptation (Robert Riskin). It would be 41 years before another film -- One Flew Over the Cuckoo’s Nest (1975) -- achieved this feat, and it has happened only once since, for The Silence of the Lambs (1991).

Sony Pictures’ DVD is a beautiful remastering of the film -- about as good a picture as we’ll see until someone makes a high-definition remastering directly from the original negatives. Capra’s chocolatey tones in the darker scenes are presented with beautiful fidelity, and the expected film problems are kept to a minimum. The extras are interesting, and having Frank Capra, Jr. do the commentary helps assure a degree of authenticity. The trailers are fun, but the included memorabilia -- posters, lobby cards, ads -- are strictly for obsessives.

But, as with all films fit for "Collector’s Corner," the extras are icing on the cake. What matters is the film itself, and It Happened One Night belongs in everyone’s collection. Get a copy, cuddle up, and be prepared to laugh and remember why you fell in love with that person sitting next to you.

...Wes Marshall
wesm@hometheatersound.com

 


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