| Cinema Cynergy February 2002
Connections: Six-Channel Analog Inputs
Have you ever wondered what that bank
of six RCA inputs on the back of your receiver is for? It goes by various names such as
"Six-Channel Direct" or simply "5.1 Direct" or "External
Processor." While these inputs may go by different names, they basically all do the
same thing and that is to route signals directly to the preamplifier section of the
receiver. The receiver will then act as a volume control for those signals and provide
amplification for the left, right, center, left-surround, and right-surround speakers and
output a line-level signal for a subwoofer.
Most people will never use these inputs as they normally
have a digital connection to their receivers, which carries all the necessary signals from
their DVD player for Dolby Digital, DTS, and stereo playback. Other sources such as VCRs,
tuners, and tape decks are connected via standard stereo inputs. However, there are
instances when six-channel inputs are useful or even necessary.
Upgrading a "Digital Ready" receiver
Before Dolby Digital and DTS became as commonplace as they
are now, they were an expensive option available only on top-of-the-line receivers or on
expensive separates. However, many receivers that did not have digital decoding built into
them had six-channel inputs, which was a feature that was said to make them "Digital
Ready." By using these inputs, it was possible to obtain discrete digital sound by
purchasing an external decoder or a DVD player that performed its own digital decoding.
These components output 5.1 channels of analog sound.

The discontinued Technics SH-AC500D was one of the few widely available and inexpensive
external decoders with both Dolby Digital and DTS processing.
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However, external digital decoders and DVD players with
built-in decoders were also quite expensive at that time and relatively few people
upgraded their systems in this way. For those of you who still have digital-ready
receivers, DVD players with internal Dolby Digital and DTS decoders are now inexpensive.
Therefore, this could be a cost-effective upgrade, especially if you are already
considering the purchase of a new DVD player. There is also the option of adding an
external digital decoder, although these are fairly rare and are available mainly on the
used market, so this may be less of a viable option.
Considering that receivers with Dolby Digital, DTS, and Pro
Logic II are now available for only a few hundred dollars, it probably makes more sense to
scrap your old receiver and simply purchase a new one. Nevertheless, if you have a
digital-ready receiver that contains high-quality amplifiers or if you really want
to upgrade that old receiver, there are the aforementioned options.

The six-channel analog outputs from an external decoder or DVD player with built-in
digital decoding (or multichannel SACD or DVD-A player) can be connected to the
corresponding six-channel inputs such as those shown above from a Yamaha receiver.
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Connecting an external decoder is relatively
straightforward. Simply connect the digital output of the DVD player to the external
decoder via a coaxial or TosLink cable and then connect each of the six analog outputs of
the decoder (you will have to use six analog RCA-type cables!) to the corresponding inputs
on your receiver. A DVD player with built-in digital decoding would be connected in a
similar fashion by using its six analog outputs and connecting them to the corresponding
inputs on the receiver.
Upgrading a system to the latest multichannel audio
formats (SACD and DVD-A)
While six-channel analog inputs used to be the domain of
inexpensive digital-ready receivers, they are now provided on most receivers even though
nearly all of them possess decoding of both Dolby Digital and DTS. In fact, recently it
seems that six-channel analog inputs are actually more common on more expensive receivers
than on budget receivers -- the opposite of what was previously the case. So what brought
about this change? The introduction of the DVD-A and multichannel SACD audio formats
necessitated the inclusion of these analog inputs on receivers and processors to allow the
user to play back these new formats.
The reason for this is that multichannel SACD and DVD-A
players do not output the digital data streams of the new high-resolution formats. Because
of copyright-infringement issues, the digital outputs of these players were limited to
Dolby Digital, DTS, and PCM (16-bit CD) data streams as with any other DVD or CD player.
The multichannel SACD and DVD-A signals are only available through the six-channel analog
outputs. Anyone who wants to listen to multichannel SACD or DVD-A discs must have a
compatible player and a receiver, processor, preamplifier, etc. with six-channel analog
inputs.

The JVC XV-D723GD is a DVD-A player that also has built-in Dolby Digital and DTS decoders.
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Some multichannel SACD or DVD-A players have built-in Dolby
Digital and DTS decoders that can output six channels of analog sound. Otherwise, a
digital connection to a receiver or processor will still be required to listen to Dolby
Digital and DTS soundtracks.
Some limitations
One complication when connecting a multichannel source to
the six-channel analog inputs of a receiver or processor is that this normally bypasses
the digital signal processing, which controls such things as bass management and channel
delays. Therefore, if your receiver is directing bass away from smaller speakers in your
system or if you have delays set for your surround speakers, these features will no longer
be available to you.
Some DVD players incorporate channel delays and bass
management for Dolby Digital and DTS decoding, but this is much less common for DVD-A and
SACD playback. However, there is the option of adding an external bass management device
such as the Outlaw ICBM that was reviewed by Home Theater & Sound
senior editor Jeff Fritz on our sister-site SoundStage!. This device allows you to
redirect bass from all channels to one or more subwoofers and costs an amazingly low $249.
Other than the Outlaw, there are few other six-channel bass-management devices that come
to mind, especially at such a reasonable price. Additionally, the ICBMs
bass-management features are far more comprehensive than the rudimentary bass management
offered on most players.
One more thing
While the six-channel analog inputs on most peoples
receivers will never be used, they do offer a viable upgrade option for older
digital-ready receivers and are currently the only common method to take advantage of the
multichannel music tracks of SACD and DVD-A discs. However, they can also be used as an
additional set of stereo inputs by utilizing only the left and right channels if you run
out of standard inputs. An interesting side note to this is that sources connected in this
way may actually sound better because this normally bypasses the DSP of the receiver or
processor, which could degrade sound quality due to the analog signal being converted to
the digital domain and then back again. However, this also means that because the signal
is channeled directly to the preamplifier section of the receiver, DSP-controlled features
such as bass redirection will usually not be available. Consequently, this type of setup
would not work well for a small subwoofer/satellite system where the subwoofer is
connected to the LFE output of the receiver.
...Roger Kanno
roger@hometheatersound.com |