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| Starring: Steve McQueen, Rupert Crosse,
Sharon Farrell, Will Geer, Michael Constantine, Mitch Vogel Directed by: Mark Rydell |
Theatrical Release: 1969
DVD Release: 2005
Released by: ParamountDolby Digital
5.1
Widescreen |
Based on William
Faulkners novel, The Reivers is one of the great works of cinematic
Americana. Set in 1905, the action takes place in small-town Mississippi. When his
grandfather goes on a four-day trip, 11-year-old Lucas lets his friend, hired hand Boon
Hogganbeck, talk him into borrowing his granddads bright yellow Winton Flyer
automobile. The two -- stowaway Ned McCaslin makes it three -- head for the big city. Boon
and Lucas stay at a brothel, while Ned trades the car for a racehorse. Lucas has to become
a jockey to win the Winton Flyer back.
The movie bustles with energy and memorable character
portraits. Steve McQueen is at his likeable best as Boon, the appealing rascal with a
heart of gold. Red-haired, freckled, all-American boy Mitch Vogel is entirely convincing
as Lucas. He is on screen for almost the whole film and it is impressive to see how well
he carries off his assignment. Rupert Crosse was nominated for an Oscar for his
enthusiastic portrayal of Ned, and veteran actor Will Geer lends likeable authority to the
part of "Boss," Lucas grandfather.
Two off screen "characters" are vital to the
movie. Burgess Meredith narrates as the adult Lucas. Narrations are tricky in movies. This
one, along with that for A Christmas Story, emerges as one of the best and
Merediths good-natured reading helps make it so. The other element vital to this
movie is its music. John Williams, pre-Star Wars, composed a brilliant,
Copland-esque score that perfectly captures every mood.
The widescreen video transfer is excellent. The print shows
little fading, so the colors are still rich and deep. The detail, indoors or out, is first
rate, and the contrast ideal. The mono soundtrack is offered in either 2.0 or 5.1 mixes.
They are both clean and clear, but somewhat lacking in bass, which does distill the
marvelous effect of Williams music. There are no extras, a glaring omission for a
film of such importance. A low asking price is some compensation. Everyone ought to be
able to add this American classic to his or her collection. It is one you will want to
watch more than once. |