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| The Quiet American |

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| Starring: Michael Caine, Brendan Fraser,
Do Thi Hai Yen Directed
by: Phillip Noyce |
Theatrical Release: 2002
DVD Release: 2003
Released by: Miramax Home EntertainmenttDolby
Digital 5.1
Widescreen (anamorphic) |
Adapted from Graham
Greene's novel of the same name, The Quiet American is a tale of many loves told
all at once -- romantic, fraternal, and ideological.
Thomas Fowler (Michael Caine) is a foreign correspondent
more interested in living the life of an expatriate in French-colonial Vietnam than
actually doing any of the reporting for which he was dispatched. Entranced by the
country's exotic charm and the energy of the war being waged just outside his
consciousness, Fowler has taken a Vietnamese mistress, Phuong (Do Thi Hai Yen). He is
doing all he can to avoid returning to England when he meets the titular Alden Pyle
(Brendan Fraser), an optometrist hoping to bring new vision to Southeast Asia.
Caine does a superb job in his role, and his work was
honored with an Academy Award nomination for Best Actor. His Fowler is an aging man afraid
of losing his hold on both the people and the country he has come to love. He is trying to
make decisions about a future that is in no way certain.
Fraser is often written off as the type of vaguely
good-looking Hollywood hunk who has no acting ability, but he handles himself very capably
as young Alden Pyle. The character's innocence and intensity come across well, and the
viewer gets the impression that there's a bit more going on behind those big wide eyes
(see also Gods and Monsters).
When she was cast as Phuong, Do Thi Hai Yen could barely
speak English, and earned the role by rote phonetic memorization of her two screen-test
scenes. That she does such a detailed, shaded performance as both the human lover and the
allegory for her entire country is all the more admirable, since such a complex role could
have overwhelmed even an experienced actor.
The plot of The Quiet American is sort of a
"whodunit," but also a "whydunit" and a "howdunit." We know
at the outset what will happen, but the tight, inexorable pace keeps the viewer deeply
engaged and asking all the right questions.
The image quality is satisfactory, with the muted or
darkened colors represented well. The soundtrack is mostly dialogue, with a few moments of
ambience from the outdoors or the chaos of war giving surround-sound systems brief
sporadic workouts.
Extras on the disc are straightforward and commonplace, but
still above average: trailers; original The Quiet American book reviews; a Vietnam
timeline; a five-minute original featurette, "Anatomy of a Scene"; and an audio
commentary. The "Anatomy" segment, taken from the Sundance Channel, is filled
with in-depth examinations of every aspect of the high-impact scene depicting the January
1952 bombing of Saigon's town square.
The commentary track is loaded with voices: director
Phillip Noyce; actors Michael Caine, Brendan Fraser, and Tzi Ma; producers Sydney Pollack,
Staffan Ahrenberg, and William Hoberg; co-writer Christopher Hampton; and Tran An Hua,
interpreter/advisor to Noyce. The track never seems crowded, since most of the
contributors recorded their parts by themselves, and their tapes were edited together.
Overall, the commentary offers an invaluable discussion of the film, the actors, and the
entire process. More than just a self-congratulatory ramble, all the praise is backed up
with analysis and insight. This is a very enjoyable and intelligent offering.
After a successful test screening on 10 September 2001, The
Quiet American was nearly derailed by the events of the following morning. Miramax was
reportedly reticent to release this film in the wake of 9/11, fearing that it would seem
"anti-American." The Quiet American was adapted to film before (in 1958),
but with a much more "patriotic" ending -- America's innocence in Vietnam was
underscored then, while this version lays blame, just as Greene's novel did. In this film,
director Phillip Noyce has taken a very complex story and told it in a simple way, and has
done it very well. |