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The Net
The Unabomber, LSD and The Internet


August 2006

Reviewed by:
Marc Mickelson

Format: DVD

(all ratings out of 5):
Overall Enjoyment

**1/2


Picture Quality

***

Packaged Extras
**1/2

Sound Quality
**
. .
Starring: John Brockman, Stewart Brand, Robert Taylor, Heinz Von Foerster, Paul Garrin

Directed by: Lutz Dammbeck

Originally Broadcast: 2004
DVD Release: 2006
Released by: Other Cinema

Dolby Digital Stereo
Fullscreen

"Why would a mathematician become a terrorist?" This is the question that Lutz Dammbeck's The Net attempts to answer. Ted Kaczynski, a.k.a. the Unabomber, was a solitary Harvard-trained mathematician who mailed letter bombs to people at universities and airlines from the late 1970s to the early 1990s. He killed three and wounded 29 before he was caught after the publication of his "Manifesto," which attempts to explain his belief system and the reason for his crime spree.

Also from Other Cinema

200608_21hours_munich.jpg (10932 bytes)So Wrong They're Right (****) is a quirky, lovable movie about "trackers" -- people who collect 8-track tapes and believe in their musical and social superiority. Filmmakers Russ Forster (who is also the editor of 8-Track Mind magazine) and Dan Sutherland travel the US to interview personable Luddites who believe that the world would be a better place if everyone could only understand the significance of 8-track tapes -- their kitschy, retro, never-ending loop of a story. Along the way they capture everything from political statements to advice on fixing broken 8-tracks, always giving the lowly thrift-store and garage-sale finds respect. It's contagious! After you see So Wrong They're Right, you'll wonder if all of your old 8-tracks are still buried in your parents' basement, and where you can find a candy-colored deck for playing 'em. Such is this movie's whimsical charm.

...Marc Mickelson
marc@hometheatersound.com

Instead of accepting the pat and obvious answer, that Kaczynski was criminally insane, director Dammbeck excavates the intellectual culture to which Kaczynski belonged and that influenced the ideas he professed in his "Manifesto." Dammbeck constructs a flowchart to help his viewers and himself make the connections between seemingly disparate places and ideas, circling the US in search of the Unabomber's back story. He tells a tale of modern society's intersection with technology through interviews with noted thinkers, some of whom were directly affected by Kaczynski's crimes.

The Net looks crisp; it was obviously shot with a video camera. As extra features, the DVD includes additional portions of interviews used in the film. They are not so much deleted scenes as snippets of additional commentary. After you watch the movie, you will appreciate the added light they shed.

The Net will appeal to fans of The X-Files and What the Bleep Do We Know -- those who don't believe the "official" explanation of anything and like their philosophy straight up. Kaczynski saw his crimes as acts of war against a world gone wrong, but criminal insanity was certainly a factor as well. What The Net lacks in linear coherence it makes up for in provocation. It is not an easy movie to view; you may have to watch it a couple of times to dig everything out of it and understand its message.

 


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