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The Rules of the Game
(La Règle du jeu)


April 2004

Reviewed by:
Rad Bennett

Format: DVD

(all ratings out of 5):
Overall Enjoyment

****


Picture Quality

***1/2

Packaged Extras
*****

Sound Quality
***
. .
Starring: Marcel Dalio, Nora Grégor, Roland Toutain, Jean Renoir, Mila Parély, Odette Talazac, Pierre Magnier, Pierre Nay, Richard Francoeur, Anne Mayen, Paulette Dubost, Gaston Modot

Directed by: Jean Renoir

Theatrical Release: 1939
DVD Release: 2004
Released by: The Criterion Collection

Dolby Digital 1.0
Fullscreen

According to one of the interviews found in the copious extra features packaged with this splendid set, we can thank a German sniper for Jean Renoir’s film career. The critically acclaimed director, second son of the famous impressionist painter Pierre-Auguste Renoir, was serving in World War I when he was shot in the leg. According to this account, there was no better place for him to recover with his leg propped up than in the cinema. Already immersed in the arts from his home life, Jean fell in love with the movies -- a love affair that was to last nearly 50 years.

Today The Rules of the Game is considered his masterpiece. When it premiered, however, it was declared a disaster and was the cause of riots. No doubt, Renoir simply hit too close to home. He set out to make a film that would depict the decadent middle class that had begun to fester in France. Perhaps too many filmgoers saw themselves in this movie, and were incensed.

Though Renoir despised this class of people, his film is restrained in viewpoint. There are no big denouncement speeches; the director allows the class to condemn itself by deed and action. It is a singular film that operates at many different levels, switching from comedy to drama without missing a beat. What other film has displayed such droll humor, punctuated with the violence of a bloody hunt, and ending with a murder? Perhaps others have tried (see Gosford Park), but only Renoir succeeds in marrying such disparate elements into a meaningful whole.

As the movie opens, a famous aviator has crossed the Atlantic and landed in Paris. We learn he did it for the love of Christine de la Chesnaye. A quick change of scene lets us know that Christine is seemingly happily married to the Marquis de la Chesnaye, who proclaims himself an honest man. Yet another scene shows us his mistress, Geneviève. An older man and pivotal character, Octave (played by Renoir himself), also loves Christine. Cut to scenes with Lisette, where we find out that the lower-class domestics also play their own romantic games. Everyone is assembled for the weekend at the estate, La Colinère, where comedy gradually evolves into tragedy.

The film was so booed at its first showing that Renoir quickly cut it, then cut it again to a version lasting only 81 minutes. In events fully chronicled in the ancillary material on this set’s second disc, the movie was painstakingly restored to 106 minutes. Criterion sets forth this longer version as the main feature in an excellent print. There is some flicker in a few scenes, and a tear here and there, but largely the movie looks fantastic for one 65 years old. The audio is also excellent, often belying its optical origins.

One thing that must be said about Criterion extras is that this pioneering company is still showing others how they should be done. The material in the set constitutes a seminar on Renoir and this movie. First, one of the best comparison sequences I have seen on DVD contrasts the endings of the longer and shorter versions of the film. This is accomplished using split screen, freeze frame, fast-forward, and a very knowing commentary.

A selected scene analysis goes into Renoir’s cinematic composition in depth. The second disc offers Jean Renoir, an hour-long mesmerizing documentary, originally shown on BBC television in 1993, which takes the viewer from Renoir’s birth to just past The Rules of the Game. There are also excerpts from a French television program on Renoir, aired in 1966. There are video essays on the original production and the reconstruction, a series of interviews, as well as written tributes to the film by the likes of François Truffaut, Wim Wenders, and Robert Altman. The elaborate set is housed in a digipak foldout that fits into a clear blue plastic case for safekeeping.

It’s a sure thing that a viewer will want to keep this set safe, since it is the ultimate edition of a movie that many consider ultimate cinema.

 


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