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| Starring: Judy Marte, Melonie Diaz, Victor Rasuk,
Altagracia Guzman, Silvestri Rasuk, Krystal Rodriguez, Kevin Rivera,
Wilfree Vasquez Directed by:
Peter Sollett |
Theatrical Release: 2002
DVD Release: 2004
Released by: Columbia TriStar Home VideoDolby Digital 2.0 Surround
Widescreen (anamorphic) |
We have all gone
through and weathered the storm of physical, mental, and social changes that adolescence
brings. It helps when you have an older sibling, or sympathetic parents, to help you
through this rough time. Peter Solletts faux documentary does a nice job at
chronicling the difficulties Victor Vargas has braving puberty in New Yorks Lower
East Side in 2004 without the support of his family.
The writer/director depicts this part of New York City as a
jungle and his teenage cast as driven by animal instinct rather than social etiquette. The
men in the film act like male animals: their one goal is to attract and mate with any
female they come in contact with. Victors behavior, the way he pushes back his hair,
licks his lips, and reveals his toned physique, is no different than the way a lion, bear,
or bird shows off to a mate.
The women in the film are not after sex as much as
companionship and security. Judy is smart in the way she uses Victor as a shield to the
onslaught of other male admirers. Prior to Victor she pretends she has "a man."
She knows that if she is spoken for, she will be safe from attack. She also realizes that
it is only a matter of time before someone sees through her lie.
Victors grandma, Mrs. Guzman, sees puberty as the
work of the devil: a period in which children are possessed to inflict horrible acts onto
themselves and face a life of hairy palms and blindness. Mrs. Guzman is an example of how
a twisted upbringing and negative life experiences can combine to create an unhealthy fear
of what comes naturally.
Fortunately, Victor has a good head on his shoulders and
makes the transition from horny hormone man to sensitive human being. Victor eventually
reveals a more sensitive side and learns that intimacy is more than just a sexual act.
Victor and Judy do not consummate their relationship through intercourse, but they grow
together by being open and honest with one another. This film should be praised for its
non-exploitive observations of human sexuality and intimacy.
The package indicates that a high-definition process was
used to transfer this film to video. It shows. The rich, warm colors are remarkably pure
and solid in appearance and belie the films low-budget roots. The DVD looks better
than the majority of big-budget Hollywood releases Ive seen this year.
Issues with vocal intelligibility mar the Dolby Surround
mix and serve to garble essential dialogue. I was unable to hear Judys comment about
Victors reflection in a swimming pool, as well as some essential dialogue between
Melonie and Harold as their relationship flourished.
Raising Victor Vargas grew out of a 30-minute film
called Five Feet High and Rising. This short, which used many of the same actors as
well as a ten-minute follow-up interview with the young cast, forms the majority of
decent, yet light set of extras. A commentary with director Sollett, co-writer Eva Vives,
Victor, Judy, and actress Altagracia Guzman contains some entertaining anecdotes.
Unfortunately, divergent tangents leave the commentary feeling disjointed. |