HOME THEATER & SOUND -- DVD Review



Prime Suspect 6:
The Last Witness


August 2004

Reviewed by:
Rad Bennett

Format: DVD

(all ratings out of 5):
Overall Enjoyment

***1/2


Picture Quality

***

Packaged Extras
*

Sound Quality
***1/2
. .
Starring: Helen Mirren, Ben Miles, Oleg Menshikov

Directed by: Tom Hooper

Original Broadcast Date: 2004
DVD Release: 2004
Released by: HBO Video

Dolby Digital 2.0 Surround
Fullscreen

It has been 15 years since Helen Mirren first appeared as Jane Tennison in this series. As you can tell from six episodes in 15 years, the shows have been rare, each one more keenly anticipated that the last. The series has maintained excellent consistency, never falling below the brilliant level established in the first episode.

Tennison’s Opposite in America

Questioning authority is not something the military condones. The chain of command is in place to guarantee that orders will be carried out, even under the most catastrophic conditions. Freethinkers like Jane Tennison are not the rule; they are the exception and would be court-martialed immediately. Her approach to problem solving flies in the face of protocols that support the military complex.

Spartan (Warner Home Video, ****) mixes equal doses of action and mesmerizing exposition into a genuinely riveting experience. David Mamet’s command of language charges the pacing and intonation of the storytelling and keeps it from falling into cliché. Like a good melody, his dialogue draws you in and keeps you attentive to every action. And Mamet’s direction never upstages his dialogue; the camera simply centers our attention on the action while adding subtle foreshadowing.

Val Kilmer’s "Scott" is the antithesis of Jane Tennison. He follows orders without question, at any cost. His problem-solving abilities are reactive, rather than proactive: he thinks outside the box only when the situation doesn’t correlate to his military training. He is a machine, a robot that carries out preprogrammed tasks. It is only when two younger, less-jaded recruits open his eyes to the flaws within the system that he sidesteps protocol to do what is fundamentally and morally right.

The reserved, British course of Prime Suspect 6 may be a model of precise drama, but Spartan shows us the future of the action/adventure genre and where it will need to go to stay fresh.

...Anthony Di Marco
anthony@hometheatersound.com

When she first appeared, Tennison was assigned to a case no one else wanted -- the murder of a prostitute, a crime that seemed to have an open-and-shut solution. Clawing her way through the opposition of men who resented her merely for being a woman in authority, Tennison proved that she was right. And Helen Mirren proved that the role of the stalwart, stubborn, never-give-up chief superintendent detective was just right for her.

By the time we reach The Last Witness, the sixth episode, Tennison is eligible for retirement, an offer she tosses off as merely an option. What would Jane Tennison do if she was not pursuing criminals? Over the five previous episodes, the woman has given herself so completely to her work that it is hard to imagine her doing anything else. After the meeting with her superiors who suggest that she might retire, Tennison wrests a case from a junior detective and is back on the trail. This time she is chasing the sadistic murderer of a young Muslim woman, whose body is found, mutilated by cigarette burns. The girl was obviously tortured and Tennison traces the manner of killing back to a case in Bosnia. As always, Prime Suspect is timely and right on the current mark.

If you have not seen the show, be warned that it is not like an American action/adventure/crime show. There is lots of talk and reasoning and investigative work. In fact, about halfway through the first of two parts, I remarked to myself that all these people working on one case would cost the UK a pretty penny. But when action is called for, it is there. In fact, the end of the first part, in which the detectives race through hospital corridors to find the victim’s sister before the killer does, is one of the most thrilling bits in current television. Combining unusual camera work, quick cutting, and a pulsing music score, the producers achieve breathless and nerve-wracking suspense.

The Last Witness was shown on British TV in widescreen, and the UK DVD is widescreen anamorphic. For some reason, HBO has given a 4:3 version. Was this an effort to make it match the first five episodes, which HBO has just re-released? If so, it succeeded, for this one looks like the others: chalky and overly bright in outdoor scenes, murky and grainy during indoor shots. One has never turned to this show for great video reproduction. It gets by on its dramatic resources and Mirren’s crackerjack performance. The sound is decent, though surround is used in a hit-or-miss manner. The music score sounds very good, especially the aforementioned panic scene.

There is one short extra, a cast and crew interview with Mirren and writer Peter Berry. The interview sheds some light on the production, but it is lightweight as far as extras go, especially considering the dramatic depths that this engrossing thriller plumbs. HBO’s packaging of this series bears some mention. The DVDs are housed in hardcover folds-outs with heavy, clear plastic insides that hold the disc. It is a very substantial box, suitable for keeping a very substantial show safe on the shelf.

 


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