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Franz
Lehar:
Die Lustige Witwe
(The Merry Widow) |
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| Starring: Dagmar Schellenberger, Rodney Gilfry, Ute Gfrerer, Piotr
Beczala, Rudolf A. Hartmann, Herbert Prikopa, Orchestra and Chorus of the Opera House
Zurich conducted by Franz Welser-Möst Directed by: Anton Reitzenstein |
Original Performance Date: 2004
DVD Release: 2005
Released by: ArtHausDolby Digital
5.1, DTS 5.1, PCM stereo
Widescreen |
Franz Lehar came of
age at a time when the opera world was dominated by Verdi and Wagner. Composers writing
for Germanic audiences were expected to be profound, and for Italian, lyrical. Lehar was
the wrong combination. Though he wanted to be a serious opera composer, he slummed in the
world of operetta in order to keep food on the table. There he soon followed Johann
Strauss, Jr. to become one of the worlds most famous operetta proponents.
Die Lustige Witwe (The Merry Widow) was his third
and most successful stab at operetta. Tuneful to a fault, its aimed at pleasing the
wealthy audience of Vienna, where it premiered in 1905. It did so by offering lots of rich
people behaving stupidly but being rescued by love and fate.
The stars are all nice to look at (for once), especially
Ute Gfrerer, a pleasingly zaftig confection. Sadly, she has the most awful caterwaul in
her upper range and is the first singer to get any real time on the disc. Stick with the
production, however, and youll find a number of excellent singers, especially Dagmar
Schellenberger, Rodney Gilfry and Herbert Prikopa. Franz Welser-Möst is a natural for
this format, and his orchestra plays with assurance.
Shame on those stuffy Swiss for not giving the sets and
costumes a big round of applause when the lights go on. This is a magnificent production
worthy of the term Grand Opera. It is surely one of the most beautiful productions
Ive had the opportunity to review in quite a while.
The camera work is unobtrusive, and the lighting makes for
an overall look that is quite clear. The sound engineers have done a good job at
reproducing the orchestra, but the soundstage is flat, even in DTS and Dolby Digital 5.1
formats. The singers' perspective changes as they move around the stage, but not
naturally, and their sound is always much more distant than that of the orchestra, not at
all like the sound in an actual theater.
There are no extras on the DVD, but the packaging is quite
luxurious, with a booklet containing a six-page essay. |