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24:
Season Two |

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| Starring: Kiefer Sutherland, Sarah Wynter,
Sarah Clarke, Carlos Bernard, Xander Berkeley, Elisha Cuthbert,
Penny Johnson, Dennis Haysbert, Laura Harris, Karina Arroyave,
Jude Ciccolella Directed by:
Various |
Original Broadcast Date: 2002
DVD Release: 2003
Released by: 20th Century Fox Home EntertainmentDolby Digital 5.1
Widescreen (anamorphic) |
There was a time when
I hated soap operas. Growing up, I remember going to my grandparents' house after school
and having to forfeit cartoons for General Hospital. It was the year Luke and Laura
were an item and the villainous Scorpio was planning to destroy the world -- or some hokey
baloney like that. My aunt loved the show. My brother and I did not. But sadly, in the
event of rain, we had no other choice but to watch it. Even at a young age I knew bad
acting when I saw it, and soap operas offered a surplus of cheesy melodrama. The cloying
romance and overwrought cliffhanger endings seemed to have affected my aunts better
judgment. "How pathetic," I thought, and vowed that I would never succumb to the
soap operas Jedi mind trick. But alas, I underestimated its power. The seed was
planted. And now:
"Hello, my name is Anthony, and Im addicted to
the Fox television show 24."
I should have recognized creator Joel Surnows name
when I watched the first season of 24, but I had to search the The Internet Movie Database to jog my
memory. Originally a writer for the soap opera Falcon Crest, Surnow also
contributed to many of my favorite television shows. St. Elsewhere, Miami Vice,
The Equalizer, and the fabulously well-written Wiseguy were all on his
resume. Gadzooks! It appeared that the spell had been cast upon me years before 24
hit the screen.
My bruised ego quickly healed as I grew to appreciate the
craft that went into the first season of 24. Developed in the tradition of the best
action-adventure shows, 24 used the well-worn cliffhanger format to keep tension
high across its entire 24-episode season. And while the approach could not be considered
original by television standards, the fact that it occurred in real time provided a unique
twist. Where other television shows will jump across "time" indiscriminately, 24
stays in locked step within the minutes of a single day. This recipe for tension was so
addictive that my wife and I polished off Season One in a matter of days.
The key to enjoying 24 is to watch it with a clear
and unbiased mind, so Im not going to spoil Season Two by giving away plot
details. Suffice it to say, the second day we see of CTU (Counter Terrorist Unit) special
agent Jack Bauer's exciting but immensely stressful life is even better than the first.
Both seasons follow a similar formula: In season one, Jack spends the first half of his
day protecting a presidential candidate and evading the authorities while searching for
his kidnapped family. The second part of the story involves finding out who was behind it
all. The second season simply drops different characters into a new conflict while using
the same basic structure: A very bad thing happens, Jack neutralizes the bad thing, and
finally Jack follows evidence that points him to the real mastermind behind it.
A detail that makes 24 particularly soapy is in how
it handles its characters. Individuals who you thought were out of the picture --
permanently -- are back. And those who were once believed to be enemies or allies have now
suddenly switched sides. One thing that hasnt changed is how asinine Kim
Bauers situations are. Word is that the shows producers and writers go out of
their way to make Kims onscreen life laughable. Allegedly her plotlines are used to
give the audience an emotional break from Jack -- kind of like the offbeat humor many
horror movies use to cut tension.
One of my main criticisms of the first season of 24
was how the narrative came to a grinding halt after Jack rescues his family from the
terrorist compound. This lag caused stretches in the storys logic (like Teri
Bauers bout with amnesia) to feel even more preposterous. A show with such a
far-fetched premise needs to grab the audience and never let go. The minute you give
people a chance to catch their breath and "think," suspension of disbelief is
out the window. It could be argued that the second season's plot was an even bigger
stretch than that of the first, but pushing the story forward with more bravado makes all
the difference.
DVD production quality showed measurable improvement
between seasons. Next to The X-Files this is the best-looking, highest-quality DVD
presentation I have yet to see from a television series. Skin color, blacks, and detail
are very good, with very little apparent noise. And the anamorphic transfer proves how
important a widescreen presentation is in lending cinematic credibility to a television
show. The audio is also a step up from the mediocre Dolby Surround of Season One.
The audience is treated to a 5.1 Dolby Digital soundtrack, which makes good use of the
surrounds but feels a bit too soft in regards to impact. Explosions and bass just
dont have the punch one should expect from an action-adventure story.
The extras in this collection are very good, and the
two-part "Making of an Episode" documentary is a knockout. The audience is not
only treated to production meetings between director Jon Cassar and his crew, but also
some very candid moments where the director isnt seeing eye to eye with his crew. It
is also nice to see a directors boyish reaction when what he has visualized in his
head finally sees the light of day. One particularly genuine moment comes when Kiefer
Sutherland demonstrates a fight sequence to Cassar. The look in Cassars eyes is one
of profound pride, happiness, and admiration. It is a truly a remarkable and touching
moment within a documentary that is thankfully free of marketing hype. Various crew and
cast on several episodes also treat the viewer to more than 44 deleted scenes as well as
commentaries. The commentaries on the shows and the deleted scenes were informative and
insightful without being condescending or boring.
I still cant stand General Hospital or any
other daytime soap for that matter. But 24 creators Joel Surnow and Robert Cochran
have done a fantastic job at turning what is essentially a soap opera into a crackling
action-adventure saga. Hats off to the crew as well for making such consistent product
despite its logistical complexities. There is no telling how many more 24-hour days are
left for Jack Bauer, but if the final minutes of Season Two are any indication, his
life isnt going to be getting any easier. |