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The
Counterfeiters
(Die Fälscher) |
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| Starring: Karl Markovics, August Diehl, Devid Striesow, Dolores
Chaplin, August Zirner Directed by:
David Ruzowitzky |
Theatrical release: 2007
Blu-ray release: 2008
Released by: Sony Pictures Classics Dolby
TrueHD 5.1
German with English subtitles
Widescreen |
This taut drama won
the Academy Award last year as Best Foreign Picture. It is based on a book by Adolf Burger
titled The Devils Workshop, which tells of a Nazi-run counterfeiting ring
during World War II that was staffed by captured Jewish prisoners. The 90-year-old Burger
should know, because he was there.
The Nazis hoped to destroy the British and American
economies by flooding the market with bogus pounds and dollars. The Holocaust provided
just what were needed -- skilled Jewish artisans who would work on the project to avoid
being gassed or murdered in some other unspeakable way. Salomin "Sally"
Sorowitsch (Karl Markovics), a Russian Jew recognized as the best counterfeiter in Europe,
became the ersatz leader of the band. Adolf Burger (August Diehl) was both his friend and
antagonist. Sorowitsch saw helping the Germans as a way to stay alive; Burger was
concerned about the greater good and the harm that their project would cause other Jews,
not to mention the Free World. Sorowitsch honed his craft to produce a British pound that
even the Bank of England accepted as real, while Burger slowed and sabotaged the work on
the American dollar.
The men were given better rations than other prisoners as
well as better beds, housing, and toilet facilities. These were still substandard, so one
can shudder on imagining the awful lot of the regular prisoner. The Nazi thinking on
providing amenities was bizarre. Music was constantly piped into the workplace, usually
opera or artsy folk music. A pool table was provided as a means for recreation. Pressured
by his superiors, the head of the camp, Friedrich Herzog (Devid Striesow), was relentless
in his pursuit of the American dollar, which eluded perfection thanks to Burgers
efforts. We know the Nazis were not a nice group of people, and in this movie they are
particularly nasty. There is a one scene that will shock even the most jaded of World War
II movie fans.
It is difficult to rate the video transfer to Blu-ray. Most
scenes are laden with grain, sometimes quite a bit of it, and the look can be very rough
and ready. But it was thus in the theater, and this is apparently the look that the
director, Ravid Ruzowitzky, required of the cinematographer, Benedict Nuenffels. In fact,
in the fine print on the back cover of the disc we find this disclaimer: "This film
employs a variety of film stocks and grain structures in order to tell the story. This
intentional visual style has been retained for this high definition presentation, as per
the filmmaker's intent."
Actually, all the print is fine print on that cover,
and if anyone over 40 can read it without glasses or squinting, I would be amazed.
Fortunately, the electronic subtitles for the film are easy to read.
The audio is less elusive to peg. This is a very good mix
designed to spotlight the dialogue up front. There are few surround distractions, though
the back channels are not entirely silent. The music is full-boded even when mixed down
under the dialogue.
The most important extra has Burger talking about his
experience, illustrating with artifacts he has collected over the years. He even tells us
that the men produced false postage stamps and displays quite a few of them. The
directors commentary is exceptionally intelligent and entertaining, but the deleted
scenes were wisely removed -- no treasure there. There are informative interviews with
Marcovics (who swears he did not research the part, implicitly trusting his director),
Burger, and Ruzowitzky.
The Counterfeiters is an excellent piece of stylish
and thrilling entertainment, proving that truth can be just as exciting as fiction. Its
Blu-ray presentation is excellent, though the style of photography makes it anything but a
demonstration disc for HD. Watch it for the acting and the story. |