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| Starring: George C. Scott, Karl Malden, Stephen Young, Michael
Strong, Frank Latimore, James Edwards, Tim Considine Directed by: Franklin J. Schaffner |
Theatrical release: 1970
Blu-ray release: 2008
Released by: 20th Century Fox Home EntertainmentDTS-HD MA 5.1, Dolby Digital 5.0
Widescreen |
In the history of Hollywood biographical
films, there is perhaps no actor who is so thoroughly identified with the real-life
character he played than George C. Scott. Scott read up thoroughly on General George
Patton and created a performance so detailed that Pattons relatives were thoroughly
pleased and people who had known the charismatic officer thought he was brought back to
life. As if to underscore his importance and further shine a light on the character, the
other generals in the film, American, British, and German, were made into cardboard
cutouts.
However, the producers were unable to obtain permission
from Pattons family to film anything about his personal life, so what we got was a
thorough retelling of his military actions during World War II. In one brief scene, Patton
talks about writing his wife, but that is all we know of his family life. History Through
the Lens -- Patton: A Rebel Revisited, one of the three documentaries included on the
second disc of this set, fills one in on Pattons social life, as well as his
upbringing and early military schooling. This is a fascinating documentary, adroitly
mixing scenes of Scott as Patton with newsreel footage of Patton himself. Through these
scenes, interviews, and Burt Reynolds narration, the viewer is informed of the
accuracy of different scenes in the film and how the movie might have diverged from fact,
or melded several events into one.
Though most would acknowledge him as a great general, not
all thought Patton was a great man. In Pattons Ghost Corps, a documentary
about the troops Patton left behind in his final drive north at the end of the war,
survivors who are still alive tell horrible stories of slain comrades and misjudged
situations, with some degree of blame laid at Pattons feet. The third documentary is
a period featurette, largely devoted to extolling the many virtues of director Franklin J.
Schaffner.
One has to admire the care that Fox took in transferring Patton
to HD video. The picture shows few signs of damage and is sharp and clean. There are
many scenes where someone is driving, walking, or marching to or from the camera, and
these have such well-balanced foreground and background definition that they appear to
have tremendous depth. Colors are fast and true, and contrasts are right on the mark. Patton
was one of composer Jerry Goldsmiths best scores, and it sounds splendid in the
transfer to DTS. Theres more surround information than you might expect, though most
of it sounds a lot more like simplistic front-to-back material while ignoring the sides.
Bass is good, but some of the explosions distort and shatter.
On the first disc, complementing the film, theres a
cogent commentary by Francis Ford Coppola, who scripted the movie. In this as well as a
five-minute introduction, the now-famous director divulges great insight into the making
of Patton, especially from a scriptwriters prospective. In addition to the
three documentaries on the second disc there are two unusual still-frame galleries. One is
a behind-the-scenes gallery with an audio essay on Patton; the other displays production
stills with the complete Goldsmith score as a soundtrack. This is the one place where Fox
dropped the ball. The music is mono, whereas in the movie it is stereo surround. There was
a stereo soundtrack album released, too, so one would think that stereo sources might have
been used.
This edition of Patton is the next best thing to
Criterion and shows how a great older film can live again on Blu-ray. Lets hope
everyone gets on the bandwagon and follows this example. Patton arrived on
Blu-ray as part of a five-title Fathers Day promotion. The other titles are A
Bridge Too Far, Battle of Britain, The Longest Day, and The Sand
Pebbles. While taking some issue with Fox and MGM for thinking that all dads are
sitting around salivating for World War II movies, one must appreciate that these major
studios have reached into their back catalogs for popular titles and refurbished them
sufficiently to make the effort worthwhile. |